Catalog Number:
400511 -DSP
Object/Specimen Description:

A large circular mask carved from alder featuring a central human face set in a wide radial border. The mask was made by artist and carver Peter Prevost of British Columbia, Canada and is Haida in style. The rim of the mask surrounding the face is flat and has a light blue border. The rim is etched with a criss-cross pattern except for four ordinal, curved rectangular panels of solid blue surrounded by a black line border. The face of the mask protrudes outward from the rim and features an open red-painted mouth, wide black eyes, a flat nose, and prominent brows and cheekbones. The wood is light in color and minimally painted. A leather thong is knotted through the mask at the edge of the face on either side of the eyes. The interior of the mask is roughly carved, with small holes for eyes and nostrils as well as the larger mouth opening.

Specimen Count:
1
Culture/Ethnicity:
Haida
Locality:
Canada including Hudson Bay and Northwestern Passages
Min/Max Dates:
1987
Collecting Locality:
North America, Canada, British Columbia
Special Instructions:
Only available digitally
Location:
Collection Wall

Masks have been a part of human culture for hundreds of thousands of years. The first masks date to roughly 7000 B.C. They allow for the person wearing them to take on the persona of an animal, spirit, or a person different from themselves. Masks are made from a variety of materials, including wood that is painted or decorated, clay, and different metals that are available to the mask makers. Different cultures use masks in different contexts, including religion, warfare, or for entertainment. One example of the use of masks in a religious context is the Topeng dance of Indonesia. In this tradition, participants wear ornate masks as they act out dramatic interpretations of myths and traditions of the native religion. The performances incorporate elements of Hinduism and Buddhism, which were introduced later.

Humans have always manipulated their environment, whether by acquiring food, making and using tools, or other aspects of daily life. They are constantly interacting with their environment on a daily basis. By using the available materials, humans have created shelter, made tools, created containers and vessels, and produced items of personal and cultural significance. Many of these resources are naturally occurring, such as stones, minerals, animal bones, or organic fibers from plants, while others are made from combining materials. The process of acquiring these materials and the manufacturing process can be traditional practices that are passed down from one generation to another. Because materials are unique to the location of different communities and cultures, by studying the types of materials, as well as animal remains found and the processes used to manipulate them, anthropologists and researchers can learn about the daily activities and lifestyles of the cultures they are studying. In what ways do you interact with your environment on a daily basis?

Cultures around the world observe different rituals and ceremonies. These can occur for a variety of reasons, but they all serve a significant purpose for participants. Some rituals and ceremonies are related to religious practices, such as the complex dances of the Hopi people of the American Southwest. In these rituals, the Hopi believe that the dancers actually become the Katsina ancestors or spiritual messengers. These rituals are used to honor the ancestors and acknowledge their role in bringing rainfall. Other ceremonies and rituals are essential to social relations within and between communities. For example, tribes of the Northwest coast of North America celebrate life events through a festival feast and gathering known as a potlatch. This allows for the members of the communities to redistribute wealth among them and reconnect. Status in these ceremonies is granted to those who give the most, not those who are given the most. In what sort of ceremonies or rituals does your culture or family participate?