Five fragments of sand tempered pottery from Tidewater Potomac, including several rim sherds. The largest sherd measures 7 cm by 7 cm and the smallest is 3 cm by 2.5 cm. The pieces vary in thickness and color but all have a relatively smooth interior and roughened exterior, some cord-marked.
- Catalog Number:
- 2268
- Object/Specimen Description:
- Specimen Count:
- 6
- Precise Locality:
Tidewater Potomac
- Locality:
- US Mid Atlantic (PA, NJ, MD, DE, DC, VA, WV)
- Collecting Locality:
- North America, United States
Baule woodcarvers at work, Yagolikro village, Ivory Coast
Photograph by Eliot Elisofon, 1972. Image no. EEPA EECL 6900. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Humans have always manipulated their environment, whether by acquiring food, making and using tools, or other aspects of daily life. They are constantly interacting with their environment on a daily basis. By using the available materials, humans have created shelter, made tools, created containers and vessels, and produced items of personal and cultural significance. Many of these resources are naturally occurring, such as stones, minerals, animal bones, or organic fibers from plants, while others are made from combining materials. The process of acquiring these materials and the manufacturing process can be traditional practices that are passed down from one generation to another. Because materials are unique to the location of different communities and cultures, by studying the types of materials, as well as animal remains found and the processes used to manipulate them, anthropologists and researchers can learn about the daily activities and lifestyles of the cultures they are studying. In what ways do you interact with your environment on a daily basis?
Smithsonian Archaeologists in the Field
Courtesy of William W. Fitzhugh
Archaeologists and researchers use the broken pieces of pottery or ceramics ("sherds") that they find during their search for and excavation of ancient settlements to learn many things about the people who once lived there. These pieces of pottery can provide clues about the age of the settlement that lies buried below the surface and the types of activities that took place there. Just by looking at the sherd, archaeologists can often recognize the size, shape, and date of the vessel based on the sherd's shape, the material used to temper the vessel, and the designs incised into or painted onto its surface. The date of the vessel will also apply to the settlement underneath the surface. Ancient societies changed the shape of their pottery vessels and their designs over time, sometimes quite rapidly, and archaeologists have been able to develop "ceramic chronologies" for different regions of the world. They do this by excavating and dating (using carbon-14 or other methods) ancient settlements of different ages and determining what the pottery of different time periods looked like.
The discipline of archaeology has changed dramatically since the time when average people were searching for strange or exotic objects. Today's archaeologists carefully excavate sites by recording the context and stratigraphic relationship of the objects they recover. Archaeologists are careful to take detailed notes during the entire process. When people continue to live in the same location for a long period of time, they build on the remains of those who lived there before, thus creating layers of remains that can be studied to learn how people lived and how they interacted with other groups. Excavation, however, is only part of the process of archaeology. Today the archaeologist may use techniques of the chemical or physical sciences to study materials used in the past and to determine where they were made and if they were brought into a site from somewhere else. Another approach is that of experimental archaeology where archaeologists attempt to recreate the objects of the past to understand the process by which the objects were made. Examples of experimental archaeology might be making tools (e.g., flintknapping) or by attempting to recreate some special type of pottery.